Talk in the context of „Site Specificity and Identities“, a series of the expanded cinema class 2021
Wendelien van Oldenborgh develops works, whereby the cinematic format is used as a methodology for production and as the basic language for various forms of presentation. She often uses the format of a public film shoot, collaborating with participants in different scenarios, to co-produce a script and orientate the work towards its final outcome. With these works, which look at the structures that form and hinder us, she participated in various large biennials, and in smaller dedicated shows. Recent presentations include: Cinema Olanda, solo at the Dutch Pavilion in the 57th Venice Biennial 2017; .As for the future. (2017) solo At DAAD gallery, Berlin, Prologue: Squat/Anti-Squat (2016) at The Jerusalem Show, Palestine Biennial East Jerusalem; Form Left to Night (2015), solo at The Showroom London. Van Oldenborgh has exhibited widely including in RAW Material Company Dakar (SN), Tate Liverpool (UK), Muhka Antwerp (B), Van Abbenueum Eindhoven, Generali Foundation Vienna as well as 2nd Biennial of Kochi-Muziris 2014, Danish Pavilion at the Venice Biennial 2011, 4rth Moscow Biennial 2011, the 29e Bienal de Sao Paulo 2010 and at the 11th Istanbul Biennial 2009.
Van Oldenborgh is a member of the (Dutch) Society for Arts and a recipient of the Dr. A.H. Heineken Prize for Art (2014). A monographic publication, Amateur, was published by Sternberg Press, Berlin; If I Can’t Dance, Amsterdam and The Showroom, London in 2016